Interpretation; sadly became the dilemma and the glory of This Man, This Talent, who we've come to know for only a limited part of this short life, through influence now we hope to see him live on by impersonationâ¦Omar Vega? R.I.P.

The Talents¦!The Manâ¦the dilemma; Omar was know genius, nor did portray himself to be anyone superior over another in the realm of social tango dancing at the New York City Milongas. He was simply that kind-of-a-guy who loved dancing, this was his bottom lineâ¦Dancing. Because of this assumed idiosyncrasy, his friends and especially his Argentine (New Yorker) tango friends often thought Omar would do better-off with their help. R.I.P. to the Dancing Bandonian The Man, Omar Vega R.I.P.

Everyone! Had a proposal for Omar Vega, let me re-phrase. Every-one of us had a proposal for Omar Vega â“ Each producer, existing promoter, and even the mellow-dramatic dance partner (who evidently may have turned out to be his ex-lover) had a preposition to improve the life of the Dancing Bandonianâ Omar Vega. 
The Man..!
The Talent¦his glory; Omar was sensuous, alert, an avid listener, not prone to correct or busy to make a correction to someone else™s mistake/s. Omar was a delicate achiever, in other words Omar wanted to enjoy whatever benefit he would gain from a night out at the milongas. Omar wanted to be sure (Always) that the person or dance school promoting his workshops would be pleased with the attendance and was highly concerned of what the student's reactions would be after they've received his lessons.

No! Omar did not second-guest his ability as a good instructor, to Para-phrase his knowledge Omar would spend enough time instructing by way of example.

By Example Was Omar Vegaâ™s Second Language, Not English. 

By all means this made Omar Vega a true and genuine New Yorker. Omar was accepted wherever he made an appearance, not for an eloquent speech or a willingness to become something he obviously was not. (As is common to some Argentine groups) He was Omar Vega, we loved him that way, New York loved him that wayâ¦you! You were wrong (if you are reading this, you know who you are) to have tried to change him. Nothing ever willâ¦and now Omar is no longer with us? Your apologies are loose-lipped; your pretentiousness is only an appeal to yourself which will linger in your thoughts forever.

You guest itâ¦
That was the problem, now here is the solution: Instructors who are consistently high priced need to make available their priorities which are to be put into place prior to the commencement of their private or group classes. In that Order students will understand that by your third hour of private lessons you are no longer worth that much.
Most professional dance instructors of the tango do not operate from a manual or organize dance program schedule. Some students are concern why does the instructor take more time finding out the techniques the student already know than actually using that time to teach the student something new.
So Pablo you can charge whatever you feel you are worth but it makeâ™s quite a bit of sense to perhaps announce before you charge such an exorbitant price that you normally produce no more than two or three lessons each day excluding weekends.

Mariela is not qualified to instruct a full Argentine Tango leader or followers program unless she is specifically assisted by a fully qualified Male dance Tango instructor.
Some of the students concerns with her dance instructions have recommended that learning from her lessons borders on certain styles, embellishments and techniques having more to do with listening to the music, which becomes useless to the follower because each follower must depend upon how the leader leads and how effective is his listening skills while dancing.

Paul Pellicoro: Highly qualified and by far the best Argentine Tango Dance Instructor in New York, he is worth his charge but un-like Pablo, Paul will never produce a lesson without pre-analyzing a concise method in order to bring about the best results from his students. Take a moment and look at the magnificent choreographies in performance by Ronan Kayat and Cicilia Saiaâ”thatâ™s what you can anticipate from Paul, so he is worth your top dollar, if he is available.

Carina Moeller: take your chances but make no mistakes when youâ™ve taken any of her lessons private or group you would be sure to find out what problems you are having. Enough of this is actually great in a dance lesson especially when you are likely to move on to other levels.
Many dance instructors are busy giving lessons today because a multitude of new dance students approach them already with the knowledge of what problems in their dancing they have discovered, making it easier for the new dance instructor to carry on with a dance lesson. Some of these students are sometimes not as appreciative as they should be considering the fact that having the knowledge of a problem is better learnt more often and important than finding the solution. There are more bad dancers than good ones because there is not an expert dance instructor specializing in finding the problems of bad dancers. Every instructor wants to make you better but what good is that if you can never know what makes that dancer a bad leader or follower?

Michael Foster: Has creatively introduced a formal Dance Program which includes Argentine Tango Dance as the basic form. Itâ™s the only balanced approach to learning the dance. The Technique and Balanceâ„¢ program prepares the student with the understanding of basic to advance body language, how the body interacts in the leader/follower positions. This is highly creative because learning the parameters of ones external physic in motion can help in many ways not to mention many other dancing styles.
Michael does not do private one-on-one dance lessons, in fact his productions includes a full dance program consisting of approximately 7-hours. This can be broken into 2-sessions for a weekend crash course.
Michael says! His program is certificate granting base on performance and credit given by him to the student. Michael is also teaching his program to instructors, which makes his pricing quite reasonable

Q: Why is there another Tango Festival already taking place in New York?
A: For a number of reasons, starting with the fact that unlike many other states New York City is built on competition. If anyone does something long enough and it appears to be successful almost immediately after this is convincingly so there comes along a rush of similar happenings.

Q: But is not that silly?
A: No it isnâ™t, not according to New York City standards. But I must admit that the competitiveness often exhibited in New York City are synonymous to those corresponding to a much larger and more economically viable audience. Tango is relatively new to New York City and has not so far captured the elite of New York Cityâ™s top socialite. It is not yet known for any of New Yorkâ™s resident celebrity to have frequent any of the almost 19-milongas every week in New York City.