New York's Top 10 host and déjà's:
These decisions were made based on professional courtesy, respect and tolerance.
Host and déjà's:
#10-Adam- Wednesdays
#09-Jose and Silvanna- Mondays
#08-Jorge Torres- Dance Studio 101
#07-Carlos De Chey- Sandra Cameron Saturdays
#06-Trey and Rick- Central Park Saturdays
#05-Maria  Jose, Juan Pablo and Coco- Thursday
#04-Sandra and Jose- Lafayette Grill Saturday
#03-Sara Larocca – All-Night Tango
#02-Gayatri Martin- La Boca
#01-Rebecca Schulman

Michael Apologizes...Again?
Damn right I apologized…(more about Michael Tango here)  Again, and While I’m at it let me also apologize for a few other important concerns and to a few most important people influential to the New York City Dance Tango Community.

Apology #10:
To the followers that is always complaining. I apologize that for some reason you can never be happier unless there is something or someone to complain about such as – There is not enough leaders, the music is too loud or the volume is too low, the ambiance needs this or that, you should have more cheese and less fruits or the other way around, the dance floor is this or that, you should invite this person or that person, you should play more of this or that, the light is to bright or dark, you need a bigger bathroom, I’m not coming back. I AM SORRY! I APOLOGIZE! I promise to do better for especially you…next year.

Apology #09:
To the beginners who simply may never understand. I apologized that you are finding out that you are not as good a dancer as you hope to believe you are in actuality, for the fact that you’re having an uncomfortable experience on the dance floor, for the times no one ask you to dance for 3-weeks in a row, for the reasons why today’s basic lesson was basic and not intermediate, that the Milonga started 30-minutes later than slated to begin, that I forgot to lead you to this or that, that I took your number and forget to call you…I AM SORRY! I Apologized that you did not always get what you hoped for. I promise to do better for especially you…next year.
 
Apology #08:
To my fellow dance Instructors who are very good at what they Do. I apologized that you don’t seem to understand that students are free to choose instructors based on personal appeal and effective results from the dance instructions they are paying for, that you don’t see it is counter-productive to compel another to believe no other instructors is as good as you think you are, that your undermining efforts to discourage the apparent progress of another dance instructor ultimately surfaced as your agony of defeat, that you cannot understand that there is enough students, more than enough paying students available to keep every good dance instructor reasonably busy overtime, that you do not understand that there is a significant difference between your experience as a dance instructor over your experience as a performer, that you slow to understand that incorrect (shot-cut) methods of dance instruction eventually makes you look bad as an instructor, that you cannot understand that it is ok teach the dance styles that you are absolutely sure you are good at. I apologize! Maybe, an instructor’s conference can help produce and instructors guide to Argentine Tango instructions…Next year
 
Apology #07:
To the Argentine’s specific to Tango cosmetology. I apologized that you can become very uncomfortable when there is constantly a rising appreciation for many dancers of the Argentine Tango who are not Argentine born, that very often it upsets you that there is a broader meaning to the term “Argentine” when it is suggestive in considerations – the dance “Argentine Tango”, that one day there maybe more people in the world, better Tango instructors, performers, leaders and followers who are aware that dancing the tango is not synonymous to the country of Argentina, that you (if you are an Argentine) would not worry that the cultural satire of Tango-Argentino is in fact reflective of a “world dance” and Argentines who are specific to the Tango Cosmetology are miss-appropriating themselves by striving to become wealthy on what is simply a myth. I apologize that even as this happens (As exist in NYC and many other Nuevo Dance Cities) some Argentines may never understand that cultural satire has nothing to do with art and dance – “World Dance”. I promise Argentine Tango lovers of the world will understand.

Apology #06:
To the leaders who feel cheated out of the followers choice. I apologized for the demised I’ve cause some of my fellow leaders. I did not mean to be rude; according to “Burly” it’s not my fault. Even if I had a choice now I cannot undo that fact that I am a better dancer than you are. I apologize for being a more talented person than you are, that I can dance with almost anyone without becoming consumed by the overriding desires compulsive to taking some of the dance experience to some place supposedly…quieter? I apologize to the leaders who feel that the partner they’re dancing with does not wish she was dancing with me instead. I promise to become less available in hopes that you won’t have to honor my presence whenever you see me dancing.
 
Apology #05:
To my Friends in the Tango scene whose unbelief’s are warranted? I apologized for being alternative-but-comely in-that my smile blisters like the morning sunlight, that I hold no grudge to you and the love of the tango. I agree that your unbelief’s can be treacherous so much that you can hurt yourself in your efforts to deprecate my character and slow my progressiveness. I apologize that unfortunately I remain steadfast in my grasp of the number-one priority – my ability to Ignore, “You” this is easier now because there is so much more to appreciate in the people who’s only hope is to have good eventful Tango experiences right here in NYC.
 
Apology #04:
To my devoted Milonga Patrons (the ones who never paid). I still appreciate you,  (I was being sarcastic when I say I would pay you to be here…) but I apologize I hadn’t say this sooner, I apologized that I was too busy dancing with someone else and not you, that you waited all night and I did not even noticed you were standing there…right there…over there? I apologize that I did not here the buzzer when you arrived too late, that I could not partner-up with you and spilt the proceeds of my Milonga, that I missed that opportunity you once presented to me? I apologize. I promise next year we will make amends…Next year.

Apology #03:
To my best students (the ones who will pay soon). I apologized for the reason you thought I was going to charge you a fee in the first place. I am a better instructor today because of you, I am sorry you felt I was about to remind you about paying when I was only saying a good hello at the Milonga, that you felt - maybe you should not come to my dance events because you think you owed me something. I sincerely apologize for the bad experience you have been having with your dancing, I know this because I’ve seen you dancing, and you have not improved.

Apology #02:
To my Dance Tango Partners (to be continued). I apologized to you (some of you) could not move on except you were convinced that I am totally eliminated from the face of the earth, my apologies: that often you imagine I could have been (needful) a better and best lover to a fraction of the ability noticeable in my dancing, that you (some of you) would prefer another chance to dance wherein you would not have had the overwhelming desires to proposed for the sake (risk) of not feeling rejected…my apologies to you (some of you)., that you (in your madly stimulating imagination) sought to conquer your emotions by ill beliefs and the imbalance of mentally construed “make-beliefs”, corrupt retardation in the passions which sometimes coexist Only after a single Tander…my apologies to you., (some of you)., my apologies also goes out to the extended prospective partners to who you have poison their minds forcing them to effectuate the same ill thoughts in their innocence…my apologies to them., (some of them). Finally, my apologies goes out to those Tango followers who thought many years ago that a stern pre-meditated rejection towards me was well prepared intentionally, whereas if I were to ever proposed a dance Tango you would surely execute the ultimate rejection…? My apologies to you in that you are still waiting, I apologies that you’ve notice better than you are excited and welcome the opportunity to say yes to my lead. Don’t worry I’ll approach you soon…? Next year.

Apology #01:-
To the Milonga promoters who appreciate our patronage. My apologies to you in that you felt that one day every local dance instructor seeking to advance themselves needed your approval and would have found the need to seek your wrights to pronounce their names at your milongas (for a price) that you would have approved certain instructors’ ability. Surely! Time has gone by and your invited guess instructors and performers today are not nearly as good as what you finally must appreciate in many existing local talents. My apologies for you…(and most promoters) on this behalf for your hastiness to identify yourself with the mighty dollar above the longevity of good talent. That your desire to use the mighty dollar as your guide to appreciate the people you’ve corrupt into attending one Milonga and not to attend certain other milongas…my apologies are mostly on behalf of you. The next $10 or $15 dollars makes all the difference in your Milonga. In fact it may be the reason why you’ve started promoting a Milonga in the first place. I apologize on your behalf and hope that you can see that there is much more value, self-fulfillment and gratification in the advancement of the Tango Dance as an art and not another opportunity for massive cut-throat promotions. It’s not about competition, Tango is “World Dance” similar to “World Music” give that opportunity to continue to spread without the dollar heavily attach to it. What the world needs today is an embrace.